Tao Te Ching (Vintage)

Delivery Time: 7 to 15 Working Days Format: Book

For nearly two generations, this translation of the Tao Te Ching has been the standard for those seeking access to the wisdom of Taoist thought. Now Jane English and her long-time editor, Toinette Lippe, have refreshed and revised the translation, so that it more faithfully reflects the Classical Chinese in which it was first written, while taking into account changes in our own language and eliminating any lingering infelicities. This beautiful oversized edition features over a hundred new photographs by Jane English that help express the vast spirit of the Tao. Also included is an introduction by the well-known writer and scholar of philosophy and comparative religion, Jacob Needleman.
 
Lao Tsu’s philosophy is simple: Accept what is in front of you without wanting the situation to be other than it is. Study the natural order of things and work with it rather than against it, for to try to change what is only sets up resistance. Nature provides everything without requiring payment or thanks. It does so without discrimination. So let us present the same face to everyone and treat them all as equals, however they may behave. If we watch carefully, we will see that work proceeds more quickly and easily if we stop "trying," if we stop putting in so much extra effort, if we stop looking for results. In the clarity of a still and open mind, truth will be reflected. Te—which may be translated as "virtue" or "strength"—lies always in Tao meaning "the way" or "natural law." In other words: Simply be.
Scholars say that the original Tao Te Ching is a poem. Like a poem, this version of the Tao Te Ching is not meant to be read in one breath from front to back, but is to be at intervals internalized and contemplated. Jane English's haunting black-and-white photos that undulate in and out on every page act as glycerin elixirs, helping the words slide into our souls for patient digestion. The photographs--of a glistening spider web, cloud-enveloped mountain tops, reflections on water, leaves in the sunlight--are as serenely lyrical as the ancient text, itself.