Great Expectations

One day Pip is sent to play at the residence of Miss Havisham, a frightening, elderly woman who seems locked in the past. She wears ancient bridal attire and never moves from the dusty upper rooms of her home. Miss Havisham's beautiful but contemptuous ward, Estella, makes Pip feel appallingly inferior, creating in him a desire to better himself—changing his life forever. But despite his efforts to improve himself, the frustrated Pip seems destined to remain Joe's apprentice. Until one day a lawyer calls to inform Pip that he has "great expectations:" Pip is to be released form his apprenticeship and educated in London as a gentleman! The benefactor who has made this life transformation possible, however, wishes to remain anonymous.
This capable and intelligent adaptation of Charles Dickens's classic novel is one in a long line of Great Expectations put to film. But this two-part drama distinguishes itself with its faithfulness to the book and outstanding performances by the principal cast. Ioan Gruffudd plays the adult Pip, an orphan who lives with his sister and her kindly blacksmith husband. Pip's life changes when he is sent for by Miss Haversham (Charlotte Rampling), an eccentric and wealthy spinster who wears only her bridal gown, which she was wearing when she was left at the altar years before. Introduced to Estella (played later as a woman by Justine Waddell), Miss Haversham's contemptuous ward, Pip falls in love with the girl and spends the remainder of his youth attempting to be good enough for her--a state of affairs that suddenly seems possible when a mysterious benefactor makes Pip's education as a London gentleman possible. Gruffudd is a fine choice for the central character, and his naturally intense expression underscores Pip's problems with insecurity and sense of deservedness. Waddell is an appropriately solipsistic Estella, slightly reminiscent of Vivien Leigh, and Rampling's casting is an unexpected but terrific move on the filmmaker's part. The veteran actress's career-long air of mystery, vague suffering, and intense sexuality bring a potent power to Miss Haversham's baleful looks. Dickens would be proud of this one. --Tom Keogh