At a remote desert truck stop, the fate of the world will be decided. Evil's armies are amassing. Armed and united by the Archangel Michael, a group of strangers become unwitting soldiers on the frontlines of the Apocalypse. Their mission: protect a waitress and her sacred unborn child from the relentless, bloody siege of the demonic legion.
As pure check-your-head-at-the-door popcorn entertainment, the apocalyptic action-horror hybrid
Legion delivers in nearly every frame--its story of a band of strangers fighting an army of angels and demons for the fate of mankind is proudly loud, bullet riddled, and knee-deep in gore and CGI. That doesn't mean it's particularly good or even coherent--the story has renegade angel Michael (a glum Paul Bettany) come to the aid of diner owner Dennis Quaid (equally glum) and his patrons (a cross-section of stereotypes embodied by a capable cast, which includes Lucas Black, Charles S. Dutton, Tyrese Gibson, Kate Walsh, and Jon Tenney) as a host of heavenly and diabolical beings, dispatched by an angry God, descend on the diner with the intent of killing waitress Adrianne Palicki (
Friday Night Lights), whose unborn child may be the salvation of humanity. The orgy of special effects--endless hails of bullets and a menagerie of unpleasant demonic creatures, the most unsettling of which is the ice cream man (Doug Jones,
Hellboy)--is eye popping but ultimately repetitive, and since no character rises above a cipher in director Scott Stewart's script (cowritten with Peter Schink), the whole affair feels unwieldy and eventually tiresome under a barrage of hackneyed dialogue. Naturally,
Legion ends with the possibility of a sequel, though one wonders where the story can go after Armageddon.
--Paul Gaita Stills from Legion (Click for larger image) 
