Man vs. machine! And the winner is every comedy fan when Charlie Chaplin's Tramp confronts assembly-line woes in thisic chosen in 1998 as one of the American Film Institute's Top-100 American Films.The Little Tramp punches in and wigs out inside a factory where gizmos like an employee-feeding machine may someday make the lunch hour last just 15 minutes. Bounced into the ranks of the unemployed, he
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Man vs. machine! And the winner is every comedy fan when Charlie Chaplin's Tramp confronts assembly-line woes in this classic chosen in 1998 as one of the American Film Institute's Top-100 American Films. The Little Tramp punches in and wigs out inside a factory where gizmos like an employee-feeding machine may someday make the lunch hour last just 15 minutes. Bounced into the ranks of the unemployed he teams with a street waif (Paulette Goddard) to pursue bliss and a paycheck finding misadventures as a roller-skating night watchman a singing waiter whose hilarious song is gibberish a jailbird and more. In the end as Tramp and waif walk arm and arm into an insecure future we know they've found neitherbliss nor a paycheck but more importantly each other. The times and satire remain timeless in Modern Times.Running Time: 83 min.Format: DVD MOVIE Genre:?COMEDY UPC:?085393765125 Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton
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