The Doors Collection (Collector's Edition)

Delivery Time: 7 to 15 Working Days Format: DVD

Celebrate the enduring legacy of the seminal Los Angeles rockers with a trio of song-packed programs. First, "Dance on Fire" (1985) features rare footage and interviews from the band. Then, "Live at the Hollywood Bowl" (1968) showcases a dynamic concert from the group, including stunning renditions of "When the Music's Over," "The End," and more. Finally, their final televised performances, as well as excerpts from their 1968 tour, are documented in "The Soft Parade" (1991). 172 min. total. Standard; Soundtrack: English Dolby Digital stereo; audio commentary by Doors Ray Manzarek, John Densmore, Robby Krieger; music video; student films; stage play excerpts; new version of "The End"; outtakes; more.
If you are a new or original fan of the Doors, this spectacular DVD should give you enough incentive to jump on the DVD bandwagon without reservation. It's quite simply the finest single audio-visual source of Doors music and history, presented with the full participation of the band's surviving members (Ray Manzarek, Robbie Krieger, John Densmore) and featuring a variety of bonus features that will send any Doors-phile into a state of rock & roll euphoria. We're not kidding, folks--this is a must-have disc for anyone who's ever been mesmerized by Jim Morrison and the late-1960s, early-'70s rock phenomenon known as the Doors.

The primary content consists of three acclaimed films, all running about an hour long and directed by Manzarek, that give the viewer a deeper appreciation of what the Doors were all about. Not only was the band filmed in a variety of live concert settings (especially at the legendary Hollywood Bowl show, included here), but they were also precociously aware of the value of film, creating music "videos" long before MTV and taking their cue from Manzarek's mid-'60s stint as a UCLA film student. Also included are clips from several TV appearances (including a PBS interview in which Morrison predicts the future of recording technology with astounding accuracy), revealing backstage footage, and, of course, some of the most hypnotic concert performances ever filmed.

Two of Manzarek's student films (Evergreen and Induction) indicate that the keyboardist could easily have become a successful director, but fate blessed him (and us) with a future in one of America's all-time greatest rock bands. What The Doors Collection conveys more than anything is that these four young men formed a unique cohesion of talent, that they all loved and admired Jim Morrison (and still do), and that they continue to share that love--along with some conflicting recollections and amiably contrasting opinions--on a commentary track that's wise, fun-loving, and refreshingly free of drippy nostalgia. Indeed, when Manzarek uses the word "atrocious" to describe Oliver Stone's 1991 film about Morrison and the band, he's merely defending the fact that Morrison was himself a sweet, lovable young man who had a dark side--no one's denying that--but who also fronted a band that continues to unite listeners and viewers in the positive spirit of creativity and freedom of expression. --Jeff Shannon