Best Loved Christmas Carols

Originally recorded between 1964 and 1985, this generous 2-CD compilation ranges from carols dating back to the 14th and 15th centuries to timeless, mostly traditional popular favorites. The arrangers include such eminent composers as Vaughan Williams, Gustav and Imogene Holst, Arthur Sullivan, Peter Cornelius, and Felix Mendelssohn, as well as the Choir's own Directors, David Wilcocks and Philip Ledger. The 50 carols are carefully chosen for maximum contrast of tempo, mood and character; the settings, too, endeavor to create variety of texture and dynamics between the often numerous verses by alternately using solos and choruses, male, female and combined voices, creating cumulative build-ups, and adding a descant to the final strophe. However, even all these techniques and devices tend to become predictable, so it may be advisable to enjoy the program in judicious doses. Among these riches, listeners will find their own favorites, but it may be worth noting that "Silent Night" appears twice, once in English and once in German, and that two of the most famous carols--"O come, all ye faithful" and "Hark! The herald angels sing"--are accompanied by a very loud brass band playing fanfares with incongruous, "up-dated" harmonies--the only false note in the program. By contrast, the organ, employed in several introductions, as well as to provide powerful chordal support and all kinds of tinkling, bell-like effects never seems out of style or character. The singing is splendid. Basically "white," without vibrato, the sound has a wonderfully pure, truly celestial quality, but can rise to full, rich, ringing sonorities in the climaxes. Intonation, balance and ensemble are impeccable, the soloists are excellent. The reverberant acoustics of the Chapel of King's College, where the recordings were made, cushion the voices without obscuring the clarity of the lines. --Edith Eisler