From Jim Crow to Jay-Z: Race, Rap, and the Performance of

From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity (African Amer Music in Global Perspective)

This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities.
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From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity.
Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
Country USA
Brand University of Illinois Press
Manufacturer University of Illinois Press
Binding Paperback
UnitCount 1
EANs 9780252078323
ReleaseDate 0000-00-00

Country	USA
Brand	University of Illinois Press
Manufacturer	University of Illinois Press
Binding	Paperback
UnitCount	1
EANs	9780252078323
ReleaseDate	0000-00-00

From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity (African Amer Music in Global Perspective)

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