Prehistoric Future: Max Ernst and the Return of Painting

Prehistoric Future: Max Ernst and the Return of Painting between the Wars

One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconsciousâ€”surrealist automatism, Freudian psychoanalysis, the concept of history as traumaâ€”to examine how Ernstâ€™s construction of collage departs from other modern artists.
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Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forgedâ€”rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mindâ€™s view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernstâ€™s working methods and the reasons that his pieces continue to imprint themselves in viewersâ€™ memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.
Country USA
Brand University of Chicago Press
Manufacturer University of Chicago Press
Binding Hardcover
ItemPartNumber 4 color plates, 60 halftones
UnitCount 1
EANs 9780226823720
ReleaseDate 0000-00-00

Country	USA
Brand	University of Chicago Press
Manufacturer	University of Chicago Press
Binding	Hardcover
ItemPartNumber	4 color plates, 60 halftones
UnitCount	1
EANs	9780226823720
ReleaseDate	0000-00-00

Prehistoric Future: Max Ernst and the Return of Painting between the Wars

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