Rough Guide to Psychedelic Cumbia

Rough Guide to Psychedelic Cumbia

â€˜Psychedelicâ€™ is a buzzword being used a lot these days, especially to sell evermore obscure treasures dug up from the worldâ€™s once lost, now rediscovered, international musical archives. In some instances calling the music â€˜psychâ€™ is a bit of a stretch â€“ just because itâ€™s weird or dressed up in imported trappings from the same era does not make it necessarily so â€“ and at other times it seems to be merely cashing in on a trend. Happily this is not generally the case when applied to cumbia, because this venerable genre of Colombian music with an international reach truly did go through a psychedelic period. Especially in Peru, where it is also experiencing a genuine resurgence of interest among contemporary musicians and audiences alike, from South America to the United States, Europe and beyond. Psychedelic rock (especially the Latin-flavoured kind, as practiced by Santana, Malo, Azteca and the like) and cumbia came of age together in the mid to late 1960s under parallel circumstances. In Peru (and to a lesser extent Mexico, Venezuela and Colombia) the tools of rock and roll â€“ namely electric guitar and organ â€“ were already quite popular among the youth of the day and it makes perfect sense that this originally acoustic Afro-Colombian coastal social dance music would be reborn under the influence of psychedelic culture by the late 1960s, in order to make it relevant to the younger generation. Add to that the strong surf culture in places like coastal Peru and Mexico and conditions were ripe for just the sort of experimentation sampled here. In addition it can be said that â€˜importedâ€™ hippie culture and rock and roll were seen as a real threat to order and decency by dictatorships from Brazil to Cuba. So when many Latin American governments decided to repress the rock and roll â€˜rebellionâ€™ and psychedelic youth culture swirling around them, some of that vibe and energy was sublimated and folded into more marginalised and nationalistically acceptable tropical musical formats like samba, cumbia or salsa. Peru has had its share of great electric guitarists bending strings to the rolling beats of cumbia â€“ from Enrique Delgado to JosÃ© Luis Carballo â€“ who came from its own important domestic tradition of criollo guitar music as much as rock). So itâ€™s not an exaggeration to say cumbia peruana (and regional variants at times referred to as cumbia andina, cumbia selvÃ¡tica, and more recently chicha) has had the lionâ€™s share of Carlos Santana influences evident in the mix. For this reason we start the compilation with a suite of five vintage Peruvian recordings from some of the greats like Juaneco y su Combo. Interestingly the Peruvian psych sound so prevalent in the early 1970s had a profound effect on the originators of cumbia; hence we offer the two fine examples from 1970s Colombia that follow. We round out the mix with a gaggle of contemporary artists from Chile, Mexico, USA, Peru, Colombia, Argentina, and Germany, bringing the psychedelic tropical vibe up to date while still retaining the trippy trappings of yesteryear.

Country	USA
Artist	Rough Guide to Psychedelic Cumbia
Binding	Vinyl
EAN	0605633633726
Label	World Music Network
Manufacturer	World Music Network
Model	35344929
MPN	17827710
NumberOfDiscs	1
NumberOfItems	1
PartNumber	17827710
Publisher	World Music Network
ReleaseDate	2016-06-24
Studio	World Music Network

Rough Guide to Psychedelic Cumbia

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