Black SwanTo many of us out there we know that feeling that relates spontaneously to that old adage that loosely says an “early bird catches the warm” because we are always on time and point readily waiting on our tippy toes to seize the once in a while opportunities. Because I mean in all spheres of our lives we are all exposed to the magnificent chances out there that solely needs someone who submit his or her pro-activeness attitude to the game if you flow with my drift, since well you don’t know what would tomorrow holds. To make every second count in your daily life is something that doesn’t go wrong as it takes you to the greater heights as a gesture of goodwill for the job well done. Reason being I emphasize this case in point is that in everything that you do make it a must that you leave no stone unturned because at the end of the day you will be the one who will laugh the most. My point exactly relates quite exponentially to the latest and soon to be released DVD’s which just needs your proactive attitude to get hold of, and to start to with here is this one called Black Swan which is about to be premiered on the 29th of this very month that is march to others that cannot flow with us on the same wavelength. However with regards to the review of
Black Swan, basically this drama film was expertly executed by
Daron Arofsky whom many of us will remember him in one of his blockbuster film
Swan Lake which created a stir when it was released and is still favored a lot.
With his very latest one he just elevated at the helm of his directorship which I find the storyline quite engaging and interesting. The film revolves around the situation of a Ballerina girl who goes by the name of Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack… and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mommy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side.
That is a wrap roundabout now, and I hope you will be the “early bird to catch that fattest warm” as it is good to do so because you are the one that will massively benefit after doing so. Kindly log in to our online shopping site wantitall.co.za to start placing your order that will be processed conveniently in just the matter of few days so that when it gets released to get it the first day it gets released.
